My work engages American spectacle at the crossroads of waste culture and the surveillance state. Site-responsively, my installation process begins with salvaging local materials that bear symbolic or indexical resonance with toxic American culture. Aggregating these waste materials into networks of sculpture, I install surveillance equipment in the sculpture such that it looks out at people who approach the work. Those video feeds are combined algorithmically and re-deployed through a multichannel projector array, submerging the sculpture in a distorted vision of surveillance. By illuminating the salvaged material with surveillance, the exhibition serves to implicate spectators into what they have arrived to judge.
While there is no overarching theme that unites every faculty member in this exhibition, everyone is connected to someone else through a web of ideas and provocations. We encourage you to use these tags to navigate from one scholar to the next, while understanding that these concepts do not fully account for the depth and nuance of the work you are encountering.